Unrestricted by human-imposed borders, approximately five billion birds migrate every year linking cultures, countries, and ecologies, and revealing issues collectively shared. , another flight up and to the left at the end of the hallway, you will find: the keynote events will take place here. The term "dank", which means "a cold, damp place", was later adapted by marijuana smokers to refer to high-quality marijuana, and then became an ironic term for a type of meme, also becoming synonymous for "cool". That 'Zurüstung' allows them to turn themselves into a spectator, ready to experience performing arts. This work will study the spread of the coronavirus as a major determining factor in changing the interactive network within the space of Facebook. (digital), Lino Strangis (C.A.R.M.A.) In the final result the physical texture of the objects and the resolution of their digital avatar are allowed to intertwine. In 2013, Dawkins characterized an Internet meme as being a meme deliberately altered by human creativity—distinguished from biological genes and his own pre-Internet concept of a meme, which involved mutation by random change and spreading through accurate replication as in Darwinian … Air-Sea Interactions AI01 Air-Sea Interaction and Climate Variability in the Atlantic Ocean: Observations, Modeling, and Theories Session Format: Hybrid Organizers: Laifang Li, lfl5240@psu.edu Nicholas Foukal, nfoukal@whoi.edu Feili Li, kimberley.drouin@duke.edu The Atlantic Ocean exchanges heat and carbon with the overlying atmosphere. He directed Virtual Play (2017–19) and world premieres of The David Fragments (2017), Enemy of the Stars (2015), and No’s Knife (Lincoln Center, 2015). In the Anthropocene epoch, human beings are not only homeless with regard to the environment, but also to themselves. Miguel Carvalhais is a designer, musician and assistant professor with habilitation at the Faculty of Fine Arts of the University of Porto. Sustainable development (SD) has become a fundamental strategy to guide the world’s social and economic transformation. She graduated with First-class Honors from Hong Kong Academy for Performing Arts. Nicholas Johnson is Associate Professor of Drama at Trinity College Dublin, where he directs the Trinity Centre for Beckett Studies and convenes the Creative Arts Practice research theme. Here the live ‘performing art’ is superadded, and therefore dialogues with the work, in a joint search for new ways of finding ways, unique to each occasion, of presenting aesthetic totality. [103] When the Indian comedic group All India Bakchod (AIB) parodied Game of Thrones through a series of memes, the primary purpose was to advertise products of companies that have endorsed the group and thus was not fair dealing. is a Berlin-based architect with a focus on transdisciplinary research. Declining bird populations in practically all habitat types signal profound changes over our entire planet. By making the user a key figure in how the story unfolds, the project explores the redefined relationship between author and audience, made possible by digital interactive technologies. Second, we question the emergent phenomenon of digital materials – such as sharkskin-inspired acoustic metamaterials in submarine research (Lee2020) for ‘sonic camouflage’ – and speculate about their potential implications for reduction of anthropogenic noise emissions affecting underwater habitats. Ruth is also research assistant at the Institute for Theatre Studies, Ruhr University Bochum (Germany). He is particularly interested in place and memory studies and has a doctorate combining German and Contemporary Literature Studies from the University of Liverpool. The loss of bi od ive rs ity and the rel at ed cha nge s in the . Responding to Alexandra Portmann’s call for a new historiography to analyse new modes of cultural production across festival sites, I propose shifting the scale of analysis from individual performances to their global transmission (Portmann 2020: 36; 51). This is where you start and have access to all other rooms. These actors capitalize on their ability to exploit the human appetite for novelty, acquisition of goods, status, and identity. Small political acts, incidental exposure and memes during the 2017 UK general election", "Michael Bloomberg's Campaign Suddenly Drops Memes Everywhere", "Pop Polyvocality: Internet Memes, Public Participation, and the Occupy Wall Street Movement", "Communicating mixed messages about religion through internet memes", "Synecdoche, Aesthetics, and the Sublime Online: Or, What's a Religious Internet Meme? Early examples of political memes can be seen from those resulting from the Dean Scream. Our aim is to perform the score Composing Choreographic Compost in the context of the conference Digital Research in the Humanities and Arts 2021 as a mixture of live and digital performances, presenting ways to think about epochs to come that can reestablish basic care within food production activities, composting, wasting, planting, growing, considering new ethics of existence through the agency of soil. Software systems and international underpaid workers also determine what becomes visible in our daily scroll through social media feeds. [79], Internet memes have also been used in the context of religion.[80][81]. It dramatizes and challenges the mind’s tendencies to proliferate in doomsday scenarios and fantasies about securing conditions of safety for oneself and one’s immediate loved ones in answer to the desperate question, “What must I do? “Deep Flow: a return to bodily experience”, Jeannette Ginslov and Daniel Spikol (London South Bank University / University of Copenhagen). In our opinion, this new value system should favor biodiversity and autonomous ecological processes as central within the agenda of human activities. The work emerges from research into deep geological repositories for long-term storage of nuclear waste, and the project of ‘marking’ sites for future generations. architecture–Post-Internet Cities (4 August 2017); online: architecture–Superhumanity (25 January 2017); online: “Performing Planetarity: Feminist with a Drone”, My talk will engage with planetarity as a visual and conceptual trope, with a view to developing a planetary micro-vision for a post-Anthropocene world. She recently completed a postgraduate course in Digital Curation at the University of Salford in the UK. The Club of Rome report heavily influenced conceptions of environmental issues. She co-founded the Public Data Lab, a network of research labs which seeks to facilitate research, democratic engagement and public debate around the future of the data society. Together they aspire to create visual and spatial vocabularies which inspire sensitive and meaningful conversations between people and the tangible world that surrounds them. Routledge, 2011. In this paper I explore how the performance. In the Excellence Cluster, he works on realizing forms of interactivity in which objects and humans have equal agency. Leonie Rae Gasson is a queer neurodivergent multi-reality director based in Scotland. § 101. Plastics have outgrown most man-made materials and have long been under environmental scrutiny. Reconciling economy and conservation will require clarifying the relative positions of the economy, society, and environment. Presented in the form of images and field notes, the work explores ways of mobilizing the very same technology to enact a less masterful and less heroic viewpoint. Some of These Changes Have Only Become More Profound Over the Years. is Professor of Psychology at the University of Regina. In this and other ancient gift economies, a gift was not a possession that could be owned; rather, it had to be passed on, creating a cycle of obligatory returns. Exoplanetary visualisations and landscapes metabolise solar systemic and digital mapping practices, (such as found in interplanetary space probe photography), as analogues through which to sculpt simulations of other worlds. over the past 30 y despite major increases in GDP. Artificial intelligence is used on a planetary scale to detect, analyze and manage landscapes. [62] For instance, the fast food company Wendy's began a social media approach in 2017 that heavily featured memes and was initially met with success, resulting in an almost 50% profit growth that year;[63] however, the strategy has also backfired when sharing memes that are controversial or otherwise negatively perceived by consumers. On theatre stages, XR installations call for action, contributing to a conceptual revolution in scenography that reverses the relations of subjectivity. And what are the social and environmental impacts of these systems? Moderator: Ann-Christine Simke (University of Bern). How are we dealing with excess and waste? Sarah works across the fields of anthropology, cognitive science, visual arts, dance and cognition in skilled performance. In his research he plays on the overlaps of embodied research with performance and technology studies. At Disney Research he led over 50 industrial R&D projects that have resulted in technology transfers to a range of Disney business units. In GG&S, Diamond tried to explain how technologies that evolved in some places did not in others, how some communities thrived due to excess food and more advanced agriculture, while others, perpetually on the verge of starvation, had to devote all of their time to dealing with that and thus didn't have time for building the Parthenon. Through data analysis, employing Wikidata tools, this project reveals how works by women and non-binary artists can be given greater public visibility. [10][7][11] On the macro level, internet memes must be encoded and decoded. As small fossils, these shells preserve information of its track as well as of the city’s building. As such, the transduction of sound and human agency through multiple material and virtual circuits calls for a closer look at virtual/material, analogue/digital, human/technology, and agency/machine – couplings which are often taken as ontologically discrete and pre-given. Devils Tower, Wyoming. [82] These memes are a modification of that already existing artistic work with some little amount of creativity and therefore, they would also enjoy copyright protection. No one lives there”, as Gayatri Spivak later states. Orcid-ID: https://orcid.org/0000-0002-2256-0928. are two PhD researchers with a fascination for waste. 103). Through intuitive co-relations, each fragments’ material specificity (form, transparency, texture) inspired their sculptural development. In the West, there is a great belief in ‘intelligent’ technology as a lifesaver. While activating (and altering) Beckett’s text in newly available media may at first appear to be a radical break, such practice actually fits within a robust experimental tradition, highlighting both the openness of. This paper will approach walking as a methodology for action research that integrates experiential aspects of our embodiment to the realm of public policy design practices. Something had to be done. He emphasized that a system in which human needs increasingly require nonrenewable sources of energy jeopardizes the future satisfaction of these needs. This article aims to discuss sensory processes and affective experiences of expanding our relations with urban spaces through the presentation and discussion of the Geomedia art project. From 2002–2009, she ran the research collective “Future Academy” with student cells in London, Edinburgh, Dakar, Mumbai, Bangalore, Melbourne, and Tokyo. The evolving methods, tactics, and the expressions invented in the so-called “Be Water” Movement bear witness to a turbulent global context where human actions and communications have increasingly come under digital surveillance, commercially or politically. [72] Satirical memes that express political opinions are effective in not only informing others but also driving political debate and engagement with politics by offering an easy and even fun way to talk about important issues. Critiques of the growth paradigm (22) echoed a call for simpler ways of life by thinkers like Gorz (28). She has an MSc in Screendance (Distinction) from Dundee University, and an MA in Choreography, Rhodes University. The videos have minimal or no dialogue and the creators communicate through captions which are sometimes humorous but mostly therapeutic in nature. faculty of FU’s Department for Theater and Performance Studies, where he teaches in the bachelor’s and master’s degree program. The second part compares the text, Applying these principles to a post-Beckett mixed reality performance of, (2020), touching on Beckett’s ‘Grey Archive’ of. Her own work has been translated into Chinese, French, German, Norwegian, Polish, Russian and Turkish. The intertextuality in the example gives new meaning to the paper blowing around Psy; the meme indexes intertextual practices in political and cultural discourses of two nations. In this paper I present research in progress from an intermedial research cluster at Linnæus University, Sweden: we combie intermedial studies with ecocritical thematics, often focusing upon the inherent problems of representing the Anthropocene. Natural Resource Conservation: An Ecological Approach, History of the Society for Conservation Biology: How and why we got there, La thermodynamique, la révolution industrielle et la révolution carnotienne, Human-Built World: How to Think About Technology and Culture, The economics of resources or the resources of economics, A comparison of the Limits to Growth with 30 years of reality, Beyond Growth: The Economics of Sustainable Development, Green Illusions: The Dirty Secrets of Clean Energy and the Future of Environmentalism, The Coal Question: An Enquiry Concerning the Progress of the Nation, and the Probable Exhaustion of Our Coal-Mines, Natural Resource Economics: Selected Papers of Allen V. Kneese. Creating new forms of agency to match the altered realities of the Anthropocene: presence. Given the prevalence of this process, there is a need for studies clarifying the effects of changes in agricultural practices on local biological communities; for instance, the transformation of traditional rainfed agriculture into intensively irrigated agriculture. John currently directs experimental vocal ensemble HIVE Choir, creating improvised music with an interdisciplinary group of artists for site-specific arts commissions with organisations including Open House Belfast, Belfast Film Festival and Belfast Music City Summer festival. In all, they both offer reasons and means for an approach to social media image research that privileges the collection of images as its analytical object. Contrary to what might be expected by its name, randomness grows when OmegaTFT is repeatedly exploited by an unconditional defector. Now There's a Battle Brewing Over Who Should Get Paid", "Tik Tok Is Winning Because It Finally Gives Us What We Want", "TikTok is rolling out longer videos to everyone", "Meme Marketing: How Brands Are Speaking A New Consumer Language", "We Found The FreeCreditReport.Com Band, and They Aren't Who You Thought They Were", "Hollywood bypassing critics and print as digital gets hotter", "A Wendy's tweet just went viral for all the wrong reasons", "Memes, Politics, and Snarky Web Content Marketing: When #Brands Break #Bad", "Political cartoonists are out of touch – it's time to make way for memes", "Is Ted Cruz the Zodiac Killer? [86] For a meme to get copyright protection, it would have to satisfy four conditions: Memes can be considered pictorial, graphical or motion picture, and so are subject to copyright law. Irini is herself inside the grid. )- Wild Arrangements (digital), Moderator: Anastasios Maragiannis (U. of Greenwich), John Mitchell, Holly Smith, Ben Braman and Tony Obr, Moderator: Lindsey Drury (Freie Universität Berlin), “Counter-Conduct in the Museum, or the Practice of Academic Iconoclasm”, Moderator: Olu Taiwo (Winchester University), Christoph Müller, Eva Jägle (U. of Vienna/philomation) – de-marginalization: agential mattering of the virtual (f2f), Antje Budde (U. of Toronto) – Cutting Edge(s) (digital), Daniel Larlham (Independent) – Cancel the Apocalypse (digital), “Performing Planetarity: Feminist With A Drone”, Keynote by Joanna Zylinska (King’s College London), Moderator: Maria Chatzichristodolou (Kingston School of Art), Installation Opening onsite & on gather.town, including live discussions with Darcy Gerbarg, Andy Weir, and Antonio Báia Reis, Pita Aerrola-Burns, Elliott Burns, Jason Isolini (Offsite Arts Project /Art Institute Chicago), Selene Citron & Luca Lunardi (Citron/Lunardi), Sarah Pini/Melissa Ramos/Jestin George (University of Southern Denmark/ Dance Cinema/University of Technology Sydney), Registration, drinks & snacks, digital breakfast hour on gather.town, Performing the Moving Body in Virtual Reality, Moderator: Christian Stein (Humboldt University), Leonie Rae Gasson  (Independent)– Queering VR (digital), Thomas Lilge  (HU Berlin) – Motion research at a standstill (digital), Zelia Zz Tan (City Contemporary Dance Co., Hong Kong) – ID Transfer in future dance VR (digital), Decolonization Workshop Series: Practices of Unsettling, Part II. The devices that are featured in the film were created during two collaborative workshops with artists, electronics artisans and academics that took place in Nairobi, Kenya in 2019 and 2020. Virtual Play is a reimagining of Samuel Beckett’s theatrical text for Virtual Reality (VR). [8][7] By using explicit cultural knowledge, internet memes provide affect as the emerging communication. Written from the perspective of the dance artist-researcher, this practice-as-research project aims at awakening public awareness of the way large infrastructural works produce particular pedestrian movement affordances, directly impacting upon people’s desire to walk. His research focuses on death, dying, and loss in literary culture, as well as on how eye trackers can be used for art creation purposes. Such misinterpretations are highlighted in the struggle between strong and weak sustainable development paths, and the confusion of the concept of intra … 1 in the heart of Berlin’s city centre, and in close proximity to the sites of Berlin such as the, ackescher Markt (your nearest public transport point) with lots of shops, restaurants, bars and cafes. Nevertheless, only 35% of works acquired since 2013 are by women artists. The Conversation. I simultaneously function on Facebook, Twitter, Skype, email, Game, Google, text and talk and yet I only have one material body. I consider a non-catastrophic point of view for the Digital or future Quantum human, redefining what it means to be human, creating a quotidian re-realization that we are responsible for bringing our worlds into being, offering a simultaneity of ontological states that brings into being Beckett’s ‘Third way’ of being in the world where ‘We and the world are one’ (Schopenhauer). SCIENCE AND TECHNOLOGY: VISUALIZING AND MAPPING BRAIN ACTIVITY, (Madrid, 1978) is an expert in Contemporary Art and Digital Creation, especially in Sound Art. She has previously presented at DRHA (2014, 2015, 2016, 2019). She is interested in the visual intelligence phenomena and has been dedicating her research to the complex representations of digital images and. In this context augmentation is understood as the overlay of the human sensory system with virtually generated information in a real-time feedback loop (Avram 2014). Her research is focussed on the crossings between digital and environmental humanities in a theatre and performance context.

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